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REVIEW – “Empire of Light”: Mendes, Back to Way Smaller Wattage

By Joe Hammerschmidt | December 9, 2022

Writer/director Sam Mendes has always been a filmmaker that captures a momentary mood, and often leaves enough of an impression to last minutes, hours, or weeks. Though never longer than…

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REVIEW – “The Menu”: A Highly Flavorsome Suspense Thriller

By Joe Hammerschmidt | November 18, 2022

Thanksgiving may easily be a foodie’s favorite day of the year. An authentic microcosm of culture, history, personal sentiments, protein, and varying side dishes, all laid out on a table…

See How They Run

REVIEW – “See How They Run”: Agatha Christie, By Way of Flies on the Wall

By Joe Hammerschmidt | September 15, 2022

If one were to imagine 2022 as a year of filmic vindication, the examples wouldn’t be entirely obvious. That is, save for the detective caper subgenre. The first half of…

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REVIEW – “Fire Island”: Summer Vacation Rom-Com Struggles to Reach the Bullseye

By Joe Hammerschmidt | June 2, 2022

With release timing opportune, Searchlight is looking to save summer, set the tone for Pride season. And perhaps extend an olive branch for healing after an already rough ‘22 for…

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REVIEW – “Fresh”: Cannibalistic Horror Rom-Com Strives to Be Anything But

By Joe Hammerschmidt | March 2, 2022

No film to emerge onto screens this spring may present itself so vaguely or nearly misleading as the lengthy, killer nature in Mimi Cave’s Fresh. And it’s perhaps for the…

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REVIEW – “Nightmare Alley”: Life’s a Circus, Until del Toro Plays Game of Risk

By Joe Hammerschmidt | December 15, 2021

We may still be occupying a timeline where the unique directorial genius of Guillermo Del Toro remains in good standing with fans and observers alike. For me, I’m somewhere in…

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