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Paramount Pictures

80 For Brady

REVIEW – “80 for Brady”: Four Best Friends Aim for, Barely Scrape Comedy Goalpost

By Joe Hammerschmidt | February 2, 2023

If you’ve ever been thrilled by the charms of a musical supergroup – i.e., Them Crooked Vultures, The Traveling Wilburys, or Crosby Stills Nash & Young (RIP David), the collision…

Top Gun: Maverick

REVIEW – “Top Gun: Maverick”: Back Into that Big Screen Danger Zone

By Joe Hammerschmidt | May 25, 2022

Around this time last year, I was waxing on about the movies themselves finding their way back into our prominence after 2020 shuttered the gathering places and altered the experiential…

Lc 16056r

REVIEW – “The Lost City”: Bullock and Tatum Make Sparks Out of Dry Jungle Timber

By Joe Hammerschmidt | March 24, 2022

Once upon a vastly different timeline, adventure films and romantic comedies had a knack to intertwine themselves, often boldly. Think Romancing the Stone or The African Queen. Tales of stirring…

Jackass Forever

REVIEW – “Jackass Forever”: Same Pratfalls, Very Different Year

By Joe Hammerschmidt | February 3, 2022

Schadenfreude is a mighty powerful thing. The joy we see from others’ lunatic pain (not so much misery) often presents itself as a mild tonic from the trouble of the…

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